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Sarvagunn Sampanna (2024) Bollywood Movie Reviews

“Sarvagunn Sampanna,” directed by the talented Siddharth Anand, is a captivating Bollywood film that weaves together romance, ambition, and the twists of fate. Set against the backdrop of bustling Mumbai, this movie promises to take audiences on an emotional rollercoaster.

Release DateOct, 2024
DirectorShonali Rattan
CastVaani Kapoor

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The film boasts an ensemble cast, each bringing their A-game to the screen:

Hrithik Roshan as Rohan Kapoor: A successful architect with a mysterious past.

Deepika Padukone as Meera Malhotra: A spirited journalist who dreams of uncovering hidden truths.

Anil Kapoor as Vikram Malhotra: Meera’s father, a stern businessman.

Karan Singh Grover as Aryan Khanna: Rohan’s best friend and a charming playboy.

Sanjeeda Sheikh as Neha: Meera’s confidante and a fashion designer.

The story begins when Rohan and Meera cross paths during a chance encounter at a bustling Mumbai café. Sparks fly, but their love story is far from straightforward. As secrets unravel, they find themselves entangled in a web of ambition, betrayal, and destiny.

Rohan’s architectural firm is on the brink of a major breakthrough—a project that could redefine Mumbai’s skyline. But lurking in the shadows is a rival architect, determined to sabotage Rohan’s dreams. Meera, on the other hand, stumbles upon a political scandal that threatens to shake the city’s foundations.

“Sarvagunn Sampanna” has been a box office sensation, grossing ₹337.20 crore (US$42 million) worldwide. The film’s budget was a hefty ₹225 crore, but it has more than justified its investment. Audiences have flocked to theaters, drawn by the sizzling chemistry between Hrithik and Deepika.

“Sarvagunn Sampanna” subtly weaves in the philosophy of Henry David Thoreau. Just as Thoreau urged us to live deliberately and follow our inner compass, the characters in the film grapple with their desires, dreams, and moral compasses. Thoreau’s words echo through the film, urging viewers to question their own paths.



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